After a challenging year in which international galleries, auction houses and museums have been forced to scale back their operations and make redundancies on an alarming scale, a slower, more considered approach to business seems to be emerging.
So are we into an era of longer, more in-depth exhibitions and bespoke events concerned more with authentic connection than flashy spectacle? Ben Luke talks to Anny Shaw, a contributing editor at The Art Newspaper.
Visitors admire Johannes Vermeer’s The Milkmaid (1657–58) at the Rijksmuseum in Amsterdam
Photo: Bumble Dee
In the Netherlands, just as in the US, cuts by far-right politicians to international development seem likely to have a huge impact on arts projects. As Tefaf, the major international art fair opens in the Dutch city of Maastricht, we talk to Senay Boztas, our correspondent based in Amsterdam, about fears of a funding crisis.
Pieter Bruegel the Elder, The Hunters in the Snow (1565)
Photo: Wikimedia Commons
And this episode’s Work of the Week is one of the greatest paintings ever made: The Hunters in the Snow (1565) by Pieter Bruegel the Elder. It is part of an exhibition called Arcimboldo – Bassano – Bruegel: Nature’s Time, which opened this week at the Kunsthistorisches Museum in Vienna. The museum’s director, Jonathan Fine, tells us more.
Arcimboldo–Bassano–Bruegel: Nature’s Time, Kunsthistorisches Museum, Vienna, until 29 June
